En collaboration avec Hedges Projects, les galeries Enrico Navarra et 75 Faubourg prĂ©sentent une seÌlection dâĆuvres sur toile et sur papier de Ronnie Cutrone (artiste ameÌricain, 1948-2013).




DĂšs 1965, il Ă©volue dans la sphĂšre de la Factory. AprĂšs avoir rĂ©alisĂ© des performances avec le groupe Velvet Underground, produit par Andy Warhol, il devient lâun de ses proches collaborateurs. Il travaillera Ă ses cĂŽtĂ©s au lancement du magazine Interview et sur certaines sĂ©ries comme celles des « Piss paintings », pour laquelle Warhol lui demandera de prendre des doses supplĂ©mentaires de vitamine B pour amĂ©liorer la rĂ©activitĂ© Ă lâoxydation de son urine. Il immortalisera la vie quotidienne de la Factory Ă travers une sĂ©rie de photographies couleur en 3D stĂ©rĂ©oscopiques, comprenant des images de Warhol au travail et des clichĂ©s de ses visiteurs parmi lesquels figurent Mick Jagger, Debbie Harry, Dennis Hopper ou Paloma Picasso.
Acteur de cette Ă©poque, il sera le tĂ©moin privilĂ©giĂ© de mouvements artistiques allant du punk au pop. Câest dans ce contexte que Cutrone va dĂ©velopper sa propre pratique artistique et une imagerie post-Pop mettant en scĂšne des personnages emblĂ©matiques tels que Woody Woodpecker, Bart Simpson et Bugs Bunny. Ses Ćuvres, vĂ©ritables tĂ©moignages de lâeffervescence crĂ©ative de New York, ont Ă©tĂ© exposĂ©es pour la premiĂšre fois Ă la Richard Feigen Gallery en 1969 et figurent dans dâimportantes collections privĂ©es et publiques depuis son succĂšs Ă Art Basel en 1982.
Lâinfluence de Cutrone trouve ses racines dans des figures telles que Jimmy Smith, un voleur de bas Ă©tage et « action painter » banni de la Factory, qui lui a enseignĂ© la spontanĂ©itĂ© et lâimmĂ©diatetĂ©, ou dans lâhumour et le style de vie de Picabia. Il explore dans son Ćuvre la violence, les accidents et la « rubbernecking respons », la rĂ©action automatique du spectateur qui regarde avec curiositĂ© les crimes et accidents. Son amour pour la musique, les bandes dessinĂ©es, les jouets, les objets rĂ©cupĂ©rĂ©s dans la rue, les emblĂšmes, les enseignes et les publicitĂ©s tĂ©lĂ©visĂ©es se traduisent dans son art, oĂč lâimagerie populaire est Ă lâhonneur.
Cutrone a pleinement conscience de son impact comme de celui de lâiconographie chrĂ©tienne qui reste lâun de ses champs dâĂ©tude privilĂ©giĂ©. Son Ćuvre tĂ©moigne dâune lutte entre le bien et le mal, explorant des Ă©motions telles que lâamour, la haine, la foi et la peur.
Les Ćuvres de Cutrone ont rĂ©guliĂšrement Ă©tĂ© exposĂ©es aux cĂŽtĂ©s dâautres artistes majeurs des annĂ©es 1980, tels que Jean-Michel Basquiat, Keith Haring, Kenny Scharf et Andy Warhol. Cette exposition, Ă travers une sĂ©lection dâĆuvres créées de 1981 Ă 2005, permet de sâimmerger pleinement dans son univers.
ABOUT THE ARTIST
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Such pains, duties to them, as if it illuminates distinctions by itself and lets free, you are in personal care. And pain under itself, then the present, and the pleasure of the desire, and the peace of the expedition. And the pain, then the apology, then the maximum, and so, the work, then the sampling.
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